Dec 2015 Newsweek - WallaceHuo (霍建华) - For International Fans

Wallace Huo – There is a Yang Guo living inside him

China Newsweek 
December 24, 2015

Wallace Huo is in fact very handsome. He has sharp facial features, deep eyes, his forehead is filled with profundity and mystery.

Although no advanced news had been released, many fans came to the ceremony of China Newsweek’s “2015 China Influential” event after learning the news from other sources. They looked enthusiastic. Wallace Huo seems getting used to that scene. He smiled slightly among the crowd with a good manner. He didn’t act too warm. He didn’t try to please his fans and yet he neither didn’t ignore them indifferently.

He doesn’t have a Weibo account. He doesn’t participate in Wechat. He uses mobile to contact people, not the internet. He doesn’t even watch his own shows. He doesn’t understand why people put in so much emotions to the imaginary dramas.

Acting is Hide and Seek
In 2015 Wallace swept the TV screen. Other than the re-airing of his older shows, his ancient fantasy drama “The Journey of Flower” and modern psychological suspense drama “Love Me If You Dare” once again hit the viewership chat.

Especially “The Journey of Flower”, which is wrapped with a fantasy theme about a tragic and forbidden love story, is unstoppable getting the attention of the audience. It seems to become the national drama of 2015. Even during the morning and evening peak hours in the MTR, numerous people who are under the pressure of work and life, watched the screen of their small phones. Wallace is wearing a white gown, elegantly playing the cool and lonely male lead.

From the original novel, there is a paragraph describing the master this way: “Slightly frown eyebrow, cool and indifferent; gentle like thin wind; solitary, cold and outstanding, long hair like waterfall; eyes like falling stars; his gesture moments can make the land seem pale; his elegant style can make people crazy watching him.” Although such a description seems to be fundamental to any popular online novel, on the screen Wallace stands such an exaggerate description. After the heat of “The Journey of Flower” Wallace has tried to clear himself from his character: “Bai Zihua doesn’t resemble me. He is an immortal. I’m an ordinary person.”

During the interview with China Newsweek, Wallace emphasized his ‘normal’ and ‘ordinary’ characteristics. “I’m a down-to-earth person.” “It’s work that makes me seem extraordinary. I’m actually very ordinary.”, he told China Newsweek. Contrary to his fairy tale characters, Wallace doesn’t think high of himself during daily life. The reason he seems secretive is because he doesn’t follow the trend. He doesn’t know the internet language. He doesn’t know the difference between CP and IP. He doesn’t want the meaning of ‘warm man’. He doesn’t understand why the audience likes to see him being tortured. During the Weibo chat for “The Journey of Flower” he casually and lovely answered a fan-raised question: “What do you like about Bai Zihua?” with “White”. He loves his acting career. But he doesn’t do any ‘add-ons’ required to be an idol. He generally and unknowingly breaks any image or aura of an idol being imposed on him.

“My life would be pale if I weren’t an actor. I’ve been to many places and have seen many people. I’ve even suffered a lot.”, Wallace told China Newsweek. Although in love with his career, Wallace has maintained a certain distance and sober. “I can’t understand not being able to split between acting and real life. This is only a job. Don’t bring your character with you to real life. I own my life. My characters are fixed by the scripts. Bringing something fixed to your own real life isn’t worth.”

Wallace likes to describe his acting as ‘hide and seek’. “Sometimes you can see my real heart in my plays, it’s just that you don’t know.” He joked slyly. “Sometimes I use my characters to say something from my heart. There are complains and scoffs. But the audience thinks those are from my characters. This is like hide and seek. It always leaves room for imagination.” Wallace explained to China Newsweek.

“Should I come to this place?”
In Wuxia novels we often see this: an insignificant young man, resort on talent, effort and a bit of opportunity, finally reaches the throne and becomes a master in the martial art world. But the young man doesn’t want to live that life. In his heart, though the hut is small, the fields and frog are somethings what he misses the most. To some extent this is like Wallace’s life track.

He has never wanted to be a star. But he became an an undoubted idol during a period of the sound of many voices. He loved singing when he was a student. Because of a chance to sing the theme song if he was picked to play the lead role, he went to apply for the role. By chance he has become an actor.

He doesn’t process what an idol more or less has: an ‘acting’ character. He is introvert and once very shy. When he was at first in the showbiz he was afraid of the camera. He didn’t know how to work and where to place his fingers. He has accumulated his experience gradually, under the harsh criticism and revile of the directors. For a long time he didn’t put acting as a long time career, but just a job needed to be done.

Like many people, Wallace liked Wuxia novels when he was a young man. Although he has played many Wuxia characters there is only one character that he feels with a sense of identity – it’s Yang Guo.

Yang Guo is a loner. Wallace looks about the same on screen. Yang Guo doesn’t have a perfect family and because of such it leaves a trace of scars. Wallace once felt a sense of humility because his parent breakup. Yang Guo most of the time is silent. Wallace is also someone who doesn’t like to explain and advertise himself. In addition, when they’re surrounded by a crowd they still feel a sense of loneliness --- after these comparisons, Yang Guo is closer to Wallace Huo’s heart than the Bai Zihua and Linghu Chong he has played.

“I like to soak myself in the story of “The Return of the Condor Heroes”. Yang Guo’s defiance loneliness and independence more or less are something Wallace once has experienced before.” Wallace told China Newsweek. “My schoolmates said I look cold. Because I didn’t like talking I seemed not approachable.” Later on after joining the showbiz, “Because I was raised up in an ordinary family I didn’t know anyone in this business. For a long time I felt I don’t fit in. Many times when I stood under the spotlights I thought should I come to this place?

After a long period of time between feeling lost and fitting in, Wallace still feels he shares some characteristics of Yang Guo even though he has determined acting is his goal. Wallace’s attitude toward life is both ‘optimistic and pessimistic’. He hates crowds and likes to be alone. He likes to give himself room even when he is most busy. Wallace has little expectations from other things and people. He even has a sense of ‘negative’ value as generally processed by old style people: It’s normal if people treat me badly; if they treat me nicely I need to do extra to thank them.

He never watches his own shows. He also doesn’t feel his face  makes him appearing as a star. “I am in fact non confident. There are so many good artists and I think its because I’m lucky that people knows me.” Whenever a show is out, he takes the comments easy. “If people thinks the show is good I’m happy. If they think the show is so so I won’t feel lost because I think that’s normal.”

Hong Kong novelist Lin Yanni once wrote an essay titled “Miss a lifetime After Seeing Yang Guo”. In fact, based on factual analysis the different ladies appearing in “The Return of Condor Heroes” who are more or less related to Yang Guo to certain extent ‘love him but can’t get him’; somehow reveal the sadness of all the fans in the world.

Based on numbers, Wallace must have more fans than Yang Guo. In whatever events he turns up a vast number of fans show up. Some internet pals also post on social media, “Every time when I read an ancient love novel I have Wallace as the male lead.” But no matter it’s Yang Guo or Wallace Huo, they hope to have respectful audience, rather than admirers.

“When I left Taiwan for Mainland China because I hoped to be a real actor, I had to sacrifice my appearance to be an actor. I don’t mind to look ugly. I don’t need to be a mega star. I only hope I have some respectful audience who can see my hard work.”, Wallace told China Newsweek. In the early years Wallace made friends with some fans. “I hope they’ll tell me what I have done wrong in my plays and parts they find funny….” But in recent years the interaction is getting less and less. “I think it’s because the technology is too advanced. They lift their phones and shoot me when they see me.” He seems helpless when he speaks about this.

Used to be slow
Although as an actor in the 21st century, you can still often find that Wallace still processes the old style of those old Shaw Brothers and TVB actors. They’re referred as ‘liquorice actors’ meaning they are important but yet can’t be the leads. They support, reconcile and guide the plays. They have excellent acting skill but they don’t steal the shows. They leave deep impressions to the audience with just a line or a gesture.

As a male lead in most TV plays, Wallace however has that ‘liquorice actor’ characteristic. He is devoted, professional, never late and 120% enthusiastic about his work. Before turning up for any event, he prepares his matching clothes and shoes. He is gentle and friendly, but doesn’t try to look lovely. He mingles with fans. In other words, deep in his heart, he treats acting as a technical work, he stays a distance from the showbiz.

Because of the above characteristics Wallace is being called by his partners and fans as the ‘old veteran’. He doesn’t understand this nickname which is full of reverence and compliments. But somehow he admits he is ‘old style’. He isn’t keen on popular digital products and communications. He even resists using them. “I call when I want to talk. I can’t chat on Wechat.” He insists on not opening a weibo account. When the producers ask him to open one, he thinks: “In the old days there was no weibo, weren’t the shows promoted?”

He thinks he is someone who doesn’t like to share his life. The vast self promotions on Weibo is something new that he can’t understand. “I will always find that there is nothing to share of my real life. To me it’s about 3 meals a day.” Then he lovely adds: “Sometimes maybe two or four meals.”

“Everything used to be slow in the old days, cars, horses, posts.” Wallace opts for those old days, such as the song “Used to be Slow” by Mu Xin.

Many years ago Wallace started to love vintages. Even now he still likes singers such as Luo Dayou, Jonathan Lee, Sarah Chen, Jacky Cheung and Sandy Lam. “I used to think the melodies are nice. But now I know what the songs are about.”

He never watches his own plays. But he likes to watch old movies during spare time. He likes the “Rouge” most, directed by Stanley Kwan and led by Anita Mui and Leslie Cheung. It is about a story of a bumpy ride which turns the vast sea to a vast land. “The love in the old days is so strong. I’ve watched many times and still feel touching.” In his era Wallace has gained popularity and success. But he tries to keep a slight distance from it. “Everyone has the right to choose whatever life he wants to live. Time will move ahead, but I don’t need to follow it slavishly.”

Sometimes he mocks himself: “Generation goes by quickly. I can’t follow it.” In fact, he resists on some principle. “I’m an actor. My job is to play my characters well. I don’t know how to promote myself. I learn that you don’t do something you don’t know. It’s no good if you force yourself.” “I wouldn’t know what to say if I opened a weibo account. Do you want me to say how good I am? I really can’t say it.”


“I want to act a little guy.”
Some years ago Wallace participated in an ancient drama calls “Strange Hero Yi Zi Mei”. The biggest gain from that drama isn’t about his character, but because he got to know his admired idol Hong Kong actor Liu Kaichi.

To many people Liu Kaichi isn’t a name they can remember right away. But when they see his face, and if they have seen TVB shows, they will know him. Graduated from TVB’s 8th artist training class, he has participated in many plays, some even have disappeared. In his era when Chow Yunfat and Kent Tong became famous stars, Liu Kaichi still played a small role in many dramas with his excellent acting skill.

Wallace admires him greatly. To him Liu Kaichi completely demonstrates all the elements of a good artist or actor: Excellent acting skill, a villain, never show off, doesn’t participate in gossip, and no bad rumors. In other words, he is an actor, not a star.

One day at the filming set, Wallace shared the same car with Liu Kaichi. The young Wallace couldn’t wait to consult the elder: “Can you tell me. What should I do to be like you?” Liu Kaichi replied faintly, that even sounded like perfunctory. “You don’t need to learn acting. All you need to do is to be a good person. “I was totally confused.” Wallace remembers now after that, with a question mark in his head, he started to observe Liu Kaichi. Wallace discovered that he is simple. A simple person.” Also everyday he demonstrated to me how to be a good person”. Liu Kaichi came and went silently with a backpack. He didn’t participate in discussions. He never complaint. He didn’t participate in gossips. Other than work he listened to the songs recorded by his kid.

“Anyone can act as long as someone wants to cultivate you. But to be a good person is something not all people can do.” Wallace concludes. He doesn’t think this career which seems bright and dazzling is amazing. The real amaze is when you can still insist on being yourself and not following the wave in this chaotic condition. Since entering the showbiz in 2002, in more than 10 years Wallace has played many roles but he doesn’t really want to be like any of his characters. “Actually I want to play something resembling real life such as a bottle neck at work, troubles at some encounters and trivial problems. I don’t want to play a high ended person or role which is trying to transmit positive energy.”

When being asked to describe his ideal character and story, Wallace said: “My story has a little guy. He is ordinary but works hard to climb the ladder. Finally he gains his own piece of sky.” Wallace slowly says that out. “You know that piece of sky doesn’t have to be big, but it can feed yourself, support your family and that’s enough. This is the kind of story I find meaningful.” Wallace suddenly laughs, with a lively tone, he adds: “That’s actually my own story.”


霍建华:身体里还住着一个杨过

中国新闻周刊记者/温天一
2015年12月24日

霍建华确实很帅。 一张棱角深刻的脸孔,很深的眸子,眉宇间仿佛写满了深邃与神秘。

在《中国新闻周刊》“影响中国”2015年度人物的颁奖典礼现场,虽然没有提前公布消息,但各路消息灵通的粉丝还是提前到来,带着热情与沉醉的表情。霍建华似乎早已经习惯了这样的场景,他在人群中淡淡地微笑着,看起来斯文有礼,也并不过分热络。对于粉丝,他不刻意讨好,也不冷漠回避。

他没有微博,微信朋友圈至今还是一片空白,联系事情依旧通过电话,而不是网络。甚至,他从不看自己演过的戏,并且不能够理解,为何有的人能够在虚幻的剧情中投入那么多真实的情感。

“演戏就是躲猫猫”
2015年,霍建华主演的电视剧席卷了中国的电视荧幕。除去之前作品的重播,新片古装玄幻仙侠剧《花千骨》与现代心理悬疑剧《他来了,请闭眼》又引发了极高收视热度。

尤其是《花千骨》,一部包裹着玄幻外衣,讲述着含蓄、悲情又隐忍爱情故事的剧集,以锐不可当的姿态,俘获了大批观众的注意力,几乎成为了这一年的国民大戏。甚至在早晚高峰的地铁上,无数背负着生活与工作压力的人们,都在默默盯着自己手中窄窄的手机屏幕,霍建华正穿着一袭白衣,飘逸地演绎着那个清冷又孤傲的男主角。

在原著小说中,关于“尊上”白子画有这样一样段描写:“微微颦着的眉,冰凉而淡漠,温润如玉又云淡风清。仙姿秀逸,孤冷出尘,长发如瀑,眼落星辰,单是举手投足,已是江山失色。那翩翩绝世的风采,众人都看得痴了。”虽然这段文字带有着浓烈的网络小说行文特征,但影像中的霍建华,似乎也担得起这样略显夸张的描述。 但在《花千骨》热播之后,霍建华却一直在“撇清”着自己与角色的任何关联:“白子画没有任何我的影子。他是仙,我是凡人。”

在接受《中国新闻周刊》的采访时,霍建华也多次强调着自己“普通”与“平凡”的特质,“我是一个很接地气的人。”“是工作让你变得看起来不平凡,其实我很普通。”霍建华对《中国新闻周刊》说。 与他所演绎的那些带有强烈童话特质的男主角所不同的是,生活中的霍建华绝不高高在上,他所具备的一点点神秘感,完全是因为他不追赶潮流,也不懂流行的网络语言。 他不知道CP和IP有什么分别,不知道暖男的定义是什么,不懂为何观众喜欢看自己在剧中被“虐”。而在《花千骨》的微访谈中,被问及欣赏白子画哪一点时,他以“事不关己”的态度给了一个“呆萌”的答案:白。 他热爱演员的职业,却坚持不接受任何“偶像”所附加给自己的一切,甚至,常常喜欢无意识地打破任何“偶像”有关的幻象或者光环。

“如果不做演员,我的人生会非常苍白。是这个职业让我到过了那么多地方,见了那么多的人,甚至吃了很多不同的苦。”霍建华对《中国新闻周刊》说。 但在热爱之外,霍建华对于这个职业本身也保持着某种清醒与距离:“我不理解人戏不分,这只是一份工作,不可以把角色的情感带到生活中来。我的人生是自己的,而角色的人生是已经在剧本中规定好的,把规定好的人生带到我自己的生活中,那样多划不来啊。”

霍建华喜欢把演戏比喻成“躲猫猫”。 “其实有时候,你会在作品里看到我的真心,只不过你们不知道而已。”他有点狡黠地开着玩笑。 “有时候我也会借着角色,说一些我想说的话出来,有抱怨,也有调侃,但观众会以为那是角色说的。这样的感觉很像捉迷藏,永远有一点神秘感和想象的空间。”霍建华对《中国新闻周刊》这样形容。

“这个地方到底是不是我该来的”
在武侠小说中,我们常常能看到这样的桥段,某个出身低微的少年,却能够凭借天赋、努力、机缘以及一点点的好运气,最终走上宝座,成为笑傲江湖的一代宗师。 但少年却并不想要这样的日子,在他的心目中,茅檐低小、田野蛙鸣才是真正值得怀念的人生。 某种程度上,这仿佛也是霍建华的人生轨

他从未想到要成为明星,却偏偏在一个众声喧哗的时代成为了很多人心心念念的偶像。 学生时代,他喜欢唱歌,因为一部台湾偶像剧正在招募的男主角可以有机会演唱片尾曲,于是便跑去应征,结果阴错阳差间,成为了一名职业演员。

他不具备很多偶像艺人或多或少所带有的一点“表演型人格”,他性格内敛,曾经很羞涩。在出道初期,他害怕镜头,连走路的姿态与手指正确摆放的位置都不清楚,在导演严厉的指责和唾骂中,慢慢靠着实践积累起一点一滴的经验。 甚至在很长一段时间内,他都从未把演戏当成自己终身必须从事的事业,而仅仅,只是一份需要认真完成的工作。

和很多人一样,少年时代的霍建华也喜欢读武侠小说。虽然他后来在荧幕上演绎过很多侠骨柔肠的角色,但只有一个人物,能让他产生心有戚戚焉的认同感。

是杨过。

杨过很孤傲,电视影像中的霍建华看起来仿佛也是那样; 杨过小时候没有拥有过完美的家庭,并因此在心里留下暗暗的伤痕,霍建华也曾经一度因为父母离异而产生自卑感; 杨过在大部分时间都很沉默,霍建华也不是一个喜欢解释与标榜自己的人; 并且,他们在面对人群和热闹时,始终都有一种如影随形的孤寂感伴随左右——这样类比起来,杨过仿佛比霍建华演绎过的白子画与令狐冲更接近他本人的内心。

“我喜欢沉浸在《神雕侠侣》的故事中,杨过身上的那种叛逆、孤独与特立独行,仿佛也是我曾经经历过的。”霍建华对《中国新闻周刊》说。 “小时候,就有同学说我看起来很凶,因为我不喜欢讲话,所以看起来非常不好接近。”而后来,加入演艺圈之后,“因为我出生在一个普通家庭,没有任何人从事这方面的工作,所以很长一段时间以来,我不适应,时常我站在现场,等着打光的时候,会想这个地方到底是不是我该来的。”

在经历过很长一段时间的迷惘与适应之后,早已经确定了自己演员目标的霍建华也仍然保持着与杨过相类似的某些性格。 霍建华的处世态度,更像是一种“乐观的悲观主义”。 讨厌热闹,喜欢独处,即便在最忙碌的时候,也要给自己保留一点心灵空间。 霍建华对人对事的期待值非常低,他甚至带有一点那种老派人常常具备的“消极”价值观:世人待我差是正常,待我好才需要我额外去感恩。

他从不看自己的戏,也从不觉得自己的这张脸有任何流露出的星味,“我其实没什么自信,有那么多优秀的演员,我能够被大家认识,不过是幸运而已。” 而每逢新剧播出,他对评论的态度也非常“淡定”,“如果大家觉得好看,我会很高兴;但假如他们觉得一般,我也不会失落,因为我本来就觉得很普通嘛。”

香港女作家林燕妮曾写过一篇散文,题目叫做《一见杨过误终身》,摆事实、讲道理地分析了杨过与《神雕侠侣》中所出现过的各式女性角色之间的关系,而从某种程度上读解,与其说是爱而不得,更不如说是道尽了天下粉丝的心酸。

如果从数量上来看,霍建华拥有的粉丝肯定比杨过更多,在任何一次他所出席活动的现场,都会有大量的影迷提前等候,甚至还有网友在公共论坛发帖表示,“我每次看古代(言情)小说,男主角必须脑补成霍建华的样子。” 但不论对杨过抑或是霍建华来说,他们所希望求得的是知音,而不是仰望着的崇拜者。

“当年我离开台湾,到大陆发展,是因为我希望成为一个真正的演员。那么当真正的演员,有时候就要牺牲自己的样貌,对我来说,扮丑也不是不可以。我不要求大红大紫,只希望有一些知音,能够看到我的努力。”霍建华对《中国新闻周刊》说。 早些年的时候,霍建华会与一些影迷成为朋友,“我希望他们告诉我,在某部剧中,我演的角色有什么问题,剧情哪里比较好玩……”但最近几年,霍建华与影迷的交流仿佛在逐渐减少,“也许是因为科技越来越发达,他们见到我就是举起手机拍照。”

说起这些,他仿佛有点无奈。

从前慢
虽然身为21世纪的偶像艺人,但在霍建华的身上,你却常常能够发现一些属于很多年前、旧时代邵氏或者TVB老艺人的做派。

他们常常被称作“甘草演员”,作为传统中药中不可或缺却不可能成为主力的一员,在影视剧集中起着衬托、调和与引导的作用,他们的演技大多精湛,却绝不抢戏,只是偶尔凭借灵光乍现的一句台词抑或一个表情,让观众印象深刻。

作为大部分电视剧作品中的男一号,霍建华却也带有一点“甘草”的特质。 敬业,专业,不迟到,以十二分的热情投入工作;在任何一次活动之前,搭配好合适的服装与鞋子;态度温文友好,但绝不会刻意卖萌,与粉丝打成一片,或者说,在他的内心深处,他把演戏当成一个技术工种,却始终与这个圈子保持着一定程度的疏离。

由于这些特质,霍建华甚至被一些合作伙伴与粉丝称为“演艺圈的老干部”。他并不理解这个充满了敬畏与恭维的外号,但也或多或少承认,自己确实有点“老派”。 他从不热衷任何流行的电子产品与通信工具,甚至有点“抗拒”使用,“有事情我更习惯打电话,没办法对着手机微信一直说下去。” 他坚持不开微博,并且会在制片方建议开设一个进行宣传时,在心里默默反问:那以前没有微博的时候,新戏难道就不宣传了吗?

他觉得自己是一个“不喜欢‘分享’的人”,网络上铺天盖地的自媒体对于他来说,完全是一种无法理解的新生事物。“我永远也不知道生活有什么好分享的,生活对于我来说,就是一日三餐。”然后,又“呆萌”地补充了一句,“当然偶尔也会两餐或者四餐。”

“从前的日色变得慢,车,马,邮件都慢。”霍建华所向往的人生,就像是木心那首著名的《从前慢》。

很早以前,霍建华就已经开始怀旧。 他至今仍喜欢当年上学时候流行的歌,那是罗大佑、李宗盛、陈淑桦、张学友与林忆莲的时代,“原来我只觉得旋律好听,现在才真正知道那些歌里讲了些什么。”

他从不看自己演的片子,但喜欢在闲暇时候看老电影,最喜欢一部关锦鹏导演、梅艳芳和张国荣主演的《胭脂扣》,一个在寻寻觅觅中沧海变桑田的故事。“旧时代的感情为什么会那么浓烈,看很多遍,我还会感动。” 即便在属于自己的时代,霍建华获得了名气与成功,但他依然喜欢与这个时代保持着一点淡淡的疏离,“每个人都有权利去选择怎样生活,时间可以前行,但我没必要亦步亦趋地跟进。”

偶尔他会自嘲,“时代太快了,我跟不上。”但实际上,他很笃定地坚持着某些原则, “我是一个演员,我的工作是把角色扮演好,如果让我去营销自己,我不懂,也不会,我知道一件事,当你不懂的时候,就别去做,勉强为之反而会不好。”“我不知道开了微博要和大家说什么,难道要告诉观众我有多好吗?我真的说不出口。”

“我最想演一个小人物”
几年前,霍建华主演了一部叫做《怪侠一枝梅》的古装武侠剧,但那部戏对于他来说,最大的收获不是角色本身,而是他因此而结识了自己长久以来仰慕的偶像、香港老艺人廖启智。

对于大部分观众来说,廖启智并不是一个能够让人在心里“对上号”的名字,但一旦看到那张脸孔,任何看过TVB电视剧的人绝对不会觉得陌生。毕业于第八届香港无线艺员训练班,参演了大量有名或者湮没了的影视剧,当同时代的周润发、汤镇业已经成为了大明星之后,廖启智还在各种剧集中以精湛的演技和默默无闻的姿态充当着绿叶。

霍建华非常崇拜他,在他看来,廖启智完美诠释了一个优秀艺人或者演员所应该具备的一切素养:演技精湛,有实力,却从不炫耀浮躁,与任何八卦、绯闻绝缘。换句话说,他是一个演员,而从不是一个明星。

某一次,在剧组,霍建华碰巧与廖启智乘坐同一辆车,于是,年轻人迫不及待地抓住机会问前辈:“可不可以告诉我,我究竟应该怎样做,才能和你一样?” 廖启智的回答非常淡,甚至听起来有点“敷衍”地“老生常谈”:你不用学演戏,把人做好就可以了。 “当时我就蒙了。”今天的霍建华回忆说,但在接下来的工作时间,心里带着问号的他一直在默默地观察着廖启智,霍建华发现“他是一个好简单,好简单的人”,并且“他每天都有不同的示范给我看,怎样做一个人”。廖启智背着双肩包,静悄悄地出入剧组,不参与聊天,不参与抱怨,不参与八卦,除了工作,就是静静听随身听里面自己小孩录的歌。

“其实演戏任何人都可以演,只要有人挖掘你、栽培你;但做一个好人,却不是任何人都能够做到。”今天的霍建华“总结”道。 他并不认为这个看起来光鲜又耀眼的职业有什么了不起,真正了不起的是“在一个混乱的环境里,如何不随波逐流,真正坚持做自己”。 从2002年出道至今,十几年间,霍建华已经演绎了大大小小数十个角色,但并不认为那其中有自己真正想要演绎的人物。 “其实我想演一些很生活的东西,工作上的瓶颈,遭遇的烦恼,琐琐屑屑的问题,我不想刻意去扮什么高大上,刻意传达什么正能量。”霍建华对《中国新闻周刊》说。

当被要求描述一下他心目中理想的角色与故事时,霍建华说,“我的故事中要有一个小人物,他出身平凡,但始终力争上游,最后终于获得了属于自己的一片天。”他津津有味地继续道来,“你知道,这片天未必有多大,但可以养活自己、支持家人,就足够了。这样的故事让我觉得有意思。” 说着说着,霍建华突然笑了,带着点天真的口吻,补充了一句:“那其实就是我的故事呀。”

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“年度演艺人物”获奖理由

他领衔主演的年度国民电视剧《花千骨》,创造了多项收视奇迹。他的表演独到而节制,在古装和现代之间游刃有余。他是这个时代难得的优质偶像:在喧嚣浮华的娱乐领域,他作为一位台湾出生的年青艺人,却有“老干部”“劳模”的称号,专业、职业、敬业,既收获同行的赞誉,也为喜爱他的观众树立了楷模。

霍建华

台湾男演员、歌手和出品人。

1979年出生于台北。2002年出演第一部电视剧《摘星》,正式踏入演艺圈。2015年,领衔主演电视剧《花千骨》。该剧电视收视率持续高居榜首,并成为中国首部超过200亿网播量的电视剧。

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